James B. Kopp
Yale University Press, 2012
Click here to order.
The Bassoon was selected as an Outstanding Academic
Title in Music, 2013, by Choice, the journal of the American
Library Association. Among the criteria for selection are: overall excellence
in presentation and scholarship, importance relative to other literature
in the field, originality or uniqueness of treatment, and value to undergraduate
"This volume is truly a giant achievement, a
vast storehouse of information, and a slow but ultimately very rewarding
read. The Bassoon greatly enhances our understanding and appreciation
of the instrument, and this reader highly recommends it to players and
-- Richard Svoboda, principal bassoonist, Boston Symphony
Orchestra, in Early Music America, Summer 2013
James Kopp draws on the latest research and many years’
experience playing the bassoon, contrabassoon, and early bassoon
to provide a lively and informed history of the instrument. He
discusses the bassoon’s makers, its players, its repertory,
and its audiences, all in unprecedented detail.
Among major new topics covered are the geographical spread of
the bassoon beyond Europe to other continents and cultures, the
myths long used to explain the bassoon’s origin, and the
acoustical decisions made by generations of bassoon makers, including
Almenräder, the Heckels, Triebert, and Buffet-Crampon.
A distinctly Spanish tradition of dulcian manufacture and use
is reported. The specific uses of the bassoon by composers - extending
from Castello and Bach to Mahler and Berio - are examined. The
text includes a nation-by-nation account of the intense 20th-century
competition between French and German traditions of design and
performance. The contributions of Jean Cokken, Friedrich Stritter,
and Maurice Allard, among others, make for colorful threads in
the bassoon’s long history.
The book draws on the Langwill-Waterhouse Archive, compiled between
1931 and 2007 (now housed at the Edinburgh University Collection
of Historic Musical Instruments).
Upon request, your copy can be signed by the author.
Early names; precursors; the bassoon idea; the founding myth
The dulcian family
The bassoon idea: early relatives
The baroque bassoon
The classical bassoon, c. 1760-1830
The scientific bassoon, c.1830-1900
A tale of two systems, 1900-1990
The bassoonist’s world since 1990
The bassoon idea: relatives after mechanization
Smaller sizes of bassoon
Also included: 68 illustrations, 15 musical examples, notes, bibliography
(c.700 items), and index (c.2,000 terms); xviii + 297 pages, 25 x 17 cm.